NEW DELHI — Bollywood icon Dilip Kumar, hailed as the “Tragedy King” and just one of Hindi cinema’s greatest actors, died Wednesday in a Mumbai hospital following a extended illness. He was 98.
The “Tragedy King” title arrived from Kumar’s numerous major roles. In numerous, his character died as a frustrated lover and a drunkard. He also was known as Bollywood’s only Approach actor for his expressive performances pinpointing a character’s feelings.
Kumar was hospitalized two times past month after he complained of breathlessness, and his spouse and children tweeted “with a hefty coronary heart and profound grief” the announcement of his passing.
“Dilip Kumar will be remembered as a cinematic legend. He was blessed with unparalleled brilliance, due to which audiences throughout generations were being enthralled. His passing away is a loss to our cultural entire world,” Indian Primary Minister Narendra Modi claimed in a tweet.
“An establishment has absent,” Bollywood celebrity Amitabh Bachchan tweeted. “Every time the record of Indian Cinema will be prepared, it shall normally be ‘before Dilip Kumar, and immediately after Dilip Kumar’ ..”
Kumar’s human body, draped in the Indian flag, was accorded a state funeral led by a police band. He was buried in a Muslim graveyard in Mumbai city.
Main Bollywood stars, which include Shah Rukh Khan, frequented Kumar’s home to spend their respects.
“It can be the finish of an era,” filmmaker Madhur Bhandarkar claimed.
Kumar was born Muhammad Yusuf Khan, a Muslim, on Dec. 11, 1922. His Pathan relatives hailed from Peshawar, in what grew to become Pakistan immediately after the Partition, and he visited his ancestral house in the late 1980s.
Kumar was massively common amid cinema fans in Pakistan as perfectly. In 1998, he was awarded the “Nishan-e-Imtiaz,” Pakistan’s maximum civilian honor, becoming the only Indian citizen to acquire it.
Pakistan Key Minister Imran Khan claimed he was saddened to master of Kumar’s death. “For my technology, Dilip Kumar was the best and most functional actor,” he tweeted.
Khan also recalled Kumar’s generosity in aiding to increase resources in Pakistan and London for a belief to established up cancer hospitals in his mother’s memory.
He modified his identify as he debuted in Bollywood, the Hindi-language movie industry centered in Mumbai, with “Jwar Bhata,” or “Sea Tides,” in 1944.
Kumar’s profession spanned in excess of six decades with in excess of 60 movies. His initially main box-business hits ended up “Jugnu,” or “Firefly,” in 1947 in which he starred together with Noor Jehan, and the 1948 movie “Shaheed,” or “Martyr.”
He performed a variety of people — a romantic hero in “Andaz,” a swashbuckler in “Aan,” a extraordinary drunkard in “Devdas,” a comic role in “Azaad.” But his portrayal of a Muslim prince in the historical epic “Mughal-e-Azam” cemented his acceptance among the masses and catapulted Indian cinema to the world stage.
Mehboob Khan’s blockbuster “Aan” in 1952 was his very first film in Technicolor and was amongst a string of gentle-hearted roles he took at the recommendation of his psychiatrist to get rid of his “Tragedy King” impression.
He starred in quite a few social drama movies like “Footpath”, “Naya Daur” (“New Era”), “Musafir” (“Traveller”) and “Paigham” (“Concept”) in 1950s.
His top feminine co-stars integrated Madhubala, Nargis, Nimmi, Meena Kumari, Kamini Kaushal and Vyjanthimala.
In 1966, Dilip Kumar married Saira Banu, who was 22 years more youthful than him, and the couple acted in “Gopi,” “Sagina Mahato” and “Bairaag.” They experienced no young children.
In 1961, he generated and starred in “Ganga Jamuna” in which he and his brother Nasir Khan played the title roles. It was the only film he developed. Indian media experiences say he declined the function of Sherif Ali in David Lean’s “Lawrence of Arabia” in 1962. The role went to Egyptian actor Omar Sharif.
He took a break in the late ’70s but returned with a character function in the profitable “Kranti,” or “Revolution” in 1981. He continued enjoying key roles in movies these as “Shakti,” “Karma” and “Saudagar.” His past film was “Qila” (“Fort”) in 1998.
In 1994, he was supplied the “Dadasaheb Phalke” award, the optimum honor for contributions to Indian cinema. He also served in the higher house of Indian Parliament soon after becoming nominated for a 6-calendar year expression.
Kumar is survived by his spouse, actor Saira Banu.